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The true challenge is editing those ideas into a workable list, Neil says. That helps to quickly generate new concepts and transporting them onto a multiplayer platforming space feels new and exciting.”

Crash Team Rumble is charting its own path forward, but it draws upon the entire history of platforming in video games. “We’re constantly trying new things and coming up with new ideas. “There’s no shortage of ideas and creativity at Toys for Bob,” Studdert says. So how does Toys for Bob manage to continually come up with such charmingly oddball schemes? Sanity Island-Crash and his world are as colorfully off-the-wall as ever.

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Let everyone know.’”Įvil scientists breaking free from an inter-dimensional prison, restoring order to the multiverse through the power of quantum masks, playing in a mirror world of N. “It goes from years of being a top secret, ‘Don’t tell anyone, not even your mom.’ And then at the flip of a switch, it becomes, ‘Tell everyone. That moment of release-day apprehension doesn’t go away, Neil adds. “There will be lots more people playing Crash Team Rumble than there ever have been,” says Neil, “and it’s going to give us a bunch of really important information about the game balance to allow us to fine-tune it as we move forward to launch.” The studio is excited to unleash the game on the public. Crash Team Rumble brings the multiplayer fun while retaining that DNA.” It was more about the characters in a new type of game. But in multiplayer games like Crash Team Racing and Crash Bash, the platforming DNA was lost. “One of the things I love about the Crash franchise is how it swings from a core platforming experience to something new.

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“It’s new, and weird, and it’s uncharted territory,” says Studdert, who worked with Toys for Bob as an Activision producer before joining the studio full time in 2019. Crash Team Rumble is not his first tango with the marsupial.

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He was audio director for the Skylanders series before becoming creative director in 2017. Neil has been at Toys for Bob for a decade. Between promoting the game, preparing for the closed beta, and keeping the creative team focused on launch, Neil is never far-literally and figuratively-from Crash. That’s how Studdert describes Neil’s work schedule. To learn more about how Crash Team Rumble came to be, and learn how Toys for Bob nurtures its creative spark, we spoke to Daniel Neil and Lou Studdert, creative director and associate creative director, respectively, for the studio. Developers at Toys for Bob have been working furiously to prepare for this weekend’s closed beta test, where the new game will land in the hands of select Crash fans for the first time. The new title promises a fresh direction for the franchise, thanks to a 4v4 strategic multiplayer approach, and aims to serve as a re-entry point for people who might be keen to rekindle their love for that unique brand of Bandicoot mayhem.

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Toys for Bob gets another crack at rekindling the Crash love on June 20 with the release of Crash Team Rumble. In 2020, after a 12-year hiatus from the platform approach that brought it fame, Crash Bandicoot 4: It’s About Time emerged. In time Crash evolved from game to series, expanding to several titles (across several genres, most notably racing) before landing in the hands of San Francisco Bay Area developers Toys For Bob. (See what we did there?) Amid all that zaniness was a game that challenged players with precision jumps, deadly traps, and nefarious enemies. What you might not remember is that Crash took platformers, games where the main objective was to run and jump from one platform to another, to new levels. For anyone who grew up in the ‘90s, you may remember Crash Bandicoot as a game that was colorful, fast-paced, and a little ridiculous-in no small part thanks to its eponymous marsupial and the similarly silly cartoon characters that populated his world.